Current Research Students and their Projects
Student |
Project |
---|---|
Thomas Alcott | What social and cultural factors inform UK fan investment in the characters of professional wrestling? |
Judit Bodor | |
Gregor Cameron |
Re-performing Who: Tracing Theatre Technique Through Television Time |
Matthew Caven |
A decade of change: television and society in Wales in the 1970s |
Marios Chatziprkopiou | Dangerous Acts? The Performance and Politics of Lament in Contemporary Greece |
Tracy Evans | The Birth of the Maternal Subject: Narrative, rhythm and caesura in an autobiographical practice of birthstory-telling |
Lee Hassall | I Have Played The Fool. |
Wei-Juei Wendy Hsieh | Bajiajiang as Religious Theatre: Belief, People, and Transformation of a Ritual Practice |
Kieran Holland | Running and Performance: An embodied and performative examination of recreational distance running. |
Emma Heron | Wales, Womanhood and Me: A PaR Exploration of Postcolonial Female Identity in the Liverpool Welsh Community |
Paul Jones | How do artworks that appear antagonistic or absurd reveal inconsistencies and irrationalities in the construction and maintenance of geo-political border identities? |
Lara Kipp |
Aesthetics of Tragedy: Tracing the Sublime in Howard Barker’s Scenography |
Kerrie Reading |
Animating Documents: Accessing and Making Live The Histories of Venues: Applying contemporary methods of performance practice as a means to make visible the history of alternative venues, with a focus on Chapter Arts Centre, Cardiff |
Jess Rose | Re-Compositions of Rural 'Welsh Pride' Documents |
Alaw Gwyn Rossington |
Sut y gall y theatr i gynulleidfaoedd ifanc fynd i'r afael â materion iechyd meddwl ymhlith pobl ifanc. |
Jennifer Spence |
Intra-Fandom Conflicts, Virtual Heteropias and the Controversy of Real Person Fiction |
Jamie Terrill | An investigation of rural Welsh cinemas: their histories, memories and communities. |
Ashley Wallington | (In)authentic Tendencies: Postdramatic Theatre with Young People. |
James Woolley | Towards a Queer Archive of Performance. |
Madara Veipa |
Alaw Gwyn Rossington.