Cynlluniau Astudio
Creative Arts
Information provided by School of Art
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n/a
Information provided by School of Art
- Art and Design
Information provided by School of Art
- September 2023
Information provided by School of Art
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Offer sound training in the subject of the subjects covered by the Creative Arts Scheme; Fine Art, Film & TV, Theatre & Scenography, and Creative Writing.
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Provide opportunities for students to develop knowledge, understanding, and proficiency in a broad range of media and processes, and the fundamental concepts and key skills of creative practice.
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Provide opportunities for students to develop specialised proficiency in the offered discipline(s) of their choice.
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Offer a flexible curriculum with a variety of pathways.
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Encourage students to develop their aesthetic sensibility, creativity, curiosity, and artistic identity.
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Provide opportunities for students to develop a broad range of subject-specific and transferrable skills that will equip them for further study and/or their future career (in particular as fine artists, writers, filmmakers, scenographers, performers, educators and professionals in the cultural industries).
Information provided by School of Art
- The programme provides opportunities for students to develop and demonstrate knowledge and understanding, skills, qualities and other attributes in the following areas: Fine Art, Film & TV, Theatre & Scenography, and Creative Writing.
Information provided by School of Art
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A1 A broad range of media and processes: their principles and techniques, history and development, and the relationship between media and process, and ideas and contexts.
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A2 By the final year students will study two or more disciplines in depth, informed by staff practice and research.
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A3 The fundamental issues, contexts, concepts, theories, and debates (historical, contemporary, cultural settings) in art and contemporary culture.
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A4 The foundations of critical and historical ways of interpreting art and contemporary culture, knowledge of contemporary art and culture including some historical and cultural contexts.
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A5 The contemporary art world and cultural industries, including the variety of opportunities for graduate employment; the significance of the work of other practitioners; major developments in current and emerging media and technologies; the role and impact of intellectual property; and the issues which arise from the creative practitioner’s relationships with audiences, clients, markets, environments, users, consumers, and/or participants.
Information provided by School of Art
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1:1 tutorials
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Small group tutorials and crits
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Group studio sessions
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Seminars
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Lectures (synchronous and asynchronous)
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Presentations
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Workshops
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Guided independent practice
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Guided independent researc
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Portfolio
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Exhibition
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Professional projects
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Essays
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Dissertation
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Seen and unseen examinations
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Visual analysis
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Object study
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Reflective writing
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Slide test
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Presentation (live and recorded)
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Exhibition project
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Critical journal
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Book review
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Literature review
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Annotated bibliography
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Essay plan
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B1 Creative skills: creatively and imaginatively conceive, produce, promote, and disseminate practice and research for intellectual and aesthetic contemplation.
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B2 Visual skills: close and systematic visual examination, informed by appropriate knowledge of materials, techniques, and cultural contexts; clear and precise description, using ordinary and specialist terminology as appropriate and demonstrating awareness of the inherently translative relationship between the visual and the verbal; technical evaluation of practice and research considering materiality, production, methodology, and cultural context.
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B3 Interpretive skills : discern and explain the meaning and significance of art and contemporary culture created by oneself and others, drawing on close observation, personal response, knowledge of techniques, relevant theoretical and methodological debates, historical context, and contemporary relevance; produce logical and structured narratives and arguments, supported by relevant evidence.
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B4 Cognitive skills: find creative solutions to aesthetic, practical, and theoretical and problems; generate ideas independently and in response to set briefs; make connections between intention, process, outcome, context, and methods of dissemination; evaluate and apply a variety of theoretical perspectives; analyse arguments, tasks, and bodies of evidence, breaking them down into, and effectively dealing with, their component parts.
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B5 Open-mindedness: be open and receptive to new things and ideas; identify the merits of unfamiliar or cultural arguments and the merits or shortcomings of familiar ones; appreciate and evaluate divergent points of view and to communicate their qualities.
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C1 Making skills: develop a body of ambitious creative projects through experimentation, technical innovation, and independent reflection on making in the creative translation of ideas into practice, drawing on research on historical and contemporary contexts, technical skill and knowledge in traditional and contemporary processes, and selecting and using materials, processes, and environments.
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C2 Presentation skills: present bodies of work professionally and effectively, demonstrating awareness of audience and contexts; present and promote oneself as a creative professional; write text for a variety of purposes to support one’s artistic practice.
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C3 Communication skills: communicate information, arguments, and ideas cogently and effectively within a range of discourses as appropriate to particular audiences, and in written, spoken, or other form using appropriate visual aids and information technology resources; particular abilities in the deployment of visual material in conjunction with written, oral, and other forms of communication; the ability to listen effectively, and to participate constructively in discussion and debate.
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C4 Research skills: capacity for critical, effective, and testable information retrieval and organisation; ability to design and carry out a research project with limited tutorial guidance.
Information provided by School of Art
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D1 Autonomy: generate ideas, concepts, proposals, solutions, or arguments independently; develop an independent practice that is informed by, but not dependent on, the work of others.
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D2 Diligence: undertake and complete set tasks, whether routine and familiar or requiring the acquisition and application of new skills.
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D3 Time management and personal initiative: work to briefs and deadlines, including managing concurrent projects; take responsibility for one’s own work; reflect on one’s own learning and make constructive use of feedback; take shared responsibility for one’s own course of studies.
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D4 Teamwork: the ability to work constructively and productively in teams.
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D5 Critical engagement: formulate and articulate reasoned, independent judgements and arguments, supported by analysis of evidence and experiences, and informed by, but not dependent on, the ideas and arguments of others.
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D6 Problem solving: identify, analyse, and creatively solve problems individually or as part of a team.
BA Creative Arts [WW48]
Blwyddyn Academaidd: 2024/2025Cynllun Anrhydedd Sengl - ar gael ers 2014/2015
Hyd (astudio Llawn Amser): 3 blwyddynScenography Site Project
Pleasure, Power, and Profit: Art in the Long Eighteenth Century
Looking into Landscape: Reading, Researching, Responding
Photography Begins
Studying Film
Studying Media
Writing Continuing TV Drama
Theatre in Context 1
Exploring the School of Art Collections: Research and Museums
Revolutions & Modernities: Art in the Nineteenth Century
Representing the Body
Contemporary Writing
Studying Television
Studying Communication
Movements in Film History
Theatre in Context 2
Painting 1
Painting 2
Photography 1
Photography 2
Life Studies 1
Printmaking 1: Etching and Relief Printing
Printmaking 2: Etching and Relief Printing
Introduction to Design and Illustration 1
Introduction to Design and Illustration 2
Painting 3
Painting 4
Photography 3
Photography 4
Book Illustration 1
Book Illustration 2
Life Studies 2
Printmaking 3: Screenprinting, lithography & hybrid printing
Printmaking 4: Screenprinting, lithography & hybrid printing
Creative Fiction: Horror
Acting: Process and Performance
Devised Performance Project
Directors' Theatre
New Media Performance
Principles of Scenography
Scenographic Composition
Design Project
Life Studies 3
Painting 5 - Paint Directed Practice
Painting 6 Paint Directed Practice
Printmaking 5 - Print Directed Practice
Printmaking 6 - Print Directed Practice
Photography 5 - Photo Directed Practice
Photography 6 - Photo Directed Practice
Book Illustration 3
Book Illustration 4
Advanced Studio Practice (scenography)
Advanced Scenographic Project
Independent Research Project