Gwybodaeth Modiwlau

Teaching will be delivered through weekly two-hour workshops in which students will discuss each other’s written work with their tutor, and be introduced to new topics through provided example texts and discussion.

Weekly Topics

Week One: Introduction to module.

Week Two: Syllabic forms. We will explore traditions in syllabic poetry from. We will discuss, in more depth, the development of Japanese haiku/senryu into the tanka and also the communally written Renga. As in Japanese traditional writing practice, students will individually write haiku or senryu and in pairs develop these into tanka.

Week Three: An Introduction of concrete poems, considering form as a visual tool. We will discuss the ways in which form and subject are in dialogue when using form to suggest a visual shape, and consider whether content is undermined by the demands of the shape, and whether this matters in a poem of this kind. We will discuss the pros and cons of shaping texts using digital software. The students will choose a visual shape and attempt to write a poem that marries subject and shape.


Week Four: OuLiPo and Aleatoric (chance) poetry. We will look at alternative methods of poetic constraint, which movements of poets have used to produce their work. We will be looking at some of the well-known OuLiPo techniques as well as aleatoric poems. Students will be asked to try out a selection of these constraints, including snowball poem and acrostics, and will discuss their experience of using such chance/constraints on their creativity.

Week Five: Repetition as a device. We will explore the ways in which repetition is used in the traditional and contemporary villanelle, and sestina. We will consider the role of the echo, pattern, and feeling of entrapment in conveying certain subject matter. Students will compare such techniques with those that use strict meter and rhyme.

Week Six: Guest poet. A poet will come to the seminar to give a reading of their work, discuss their working practice and take part in a Q & A session. The students will be able to share their own experiences and to consider new working methods.

Week Seven: Found poems. This session will pivot around a discussion on the ways in which we are surrounded by textual material in all aspects of our lives, the usefulness of this when writing, and the effect of removing traditional, linear patterns to meaning. We will look at ways of ‘collecting’ a range of different materials to write from. Students will then embark on an excursion to collect textual material for their poems.

Week Eight: Collage and cut-up. This session will build on the work of the previous week by asking students to think about the effect of bringing different discourses together to produce a poem, and the ways in which seemingly disparate domains of language, syntax and tone can combine to produce a startling new piece of work. We will look at the techniques used to produce collage and cut-up poetry from the 1950s onwards. As an exercise, students will work with their found material and also with a selection of other texts to produce new poems using different techniques.

Week Nine: Digital poetry and media constructed poetry. From writing twitter and text poems, the students will explore methods of using media and digital techniques to produce and disseminate poems. We will explore on-line archive of digital poetry and look at some multi-media projects. Students will discuss the implications of on-line and interactive poetry – the pros and cons of instant publishing, single author work and collaborative work and the relationship between the global and the poet.

Week Ten. Students devise their own constraints. This is an opportunity for the students to review the material covered throughout the module and to create their own formal constraints to write a poem, supported by their tutor.