Dr Samuel Raybone
Lecturer in Art History
Contact Details
- Email: sar69@aber.ac.uk
- ORCID: 0000-0002-1440-1732
- Office: 217, Edward Davies Buidling
- Phone: +44 (0) 1970 622465
- Personal Website: www.raybone.com
- Google Scholar: https://scholar.google.co.uk/citations?user=OV0bEz4AAAAJ
- Research Portal Profile
Profile
I am a historian of art and visual cultures, specialising in the history and historiography of Impressionism; nineteenth-century photography; and ephemera (transient, disposable images like postage stamps, restaurant menus, and trade cards). I take an interest in critical theory, most recently Walter Benjamin's writings on modern historicity, temporality, and aesthetics.
My book, Gustave Caillebotte as Worker, Collector, Painter re-interprets the career of this once-forgotten painter by foregrounding his compulsions to work and to collect.
My present research examines intersections of class, disability, and masculinity in nineteenth-century medical photography; transnational and decolonial approaches to Impressionism, focusing on the complex relationships between transnational circuits and national imaginaries in the collection, display, and reception of Impressionism in Wales; and ephemera as evidence for an alternative aesthetics of modernity.
I teach broadly on European art and visual culture in the eighteenth, nineteenth, and twentieth centuries; global modernities and modernisms; photography from 1839 to the contemporary; critical theory and research methodologies; and art historiography.
Teaching
Module Coordinator
- AH32020 - Dissertation
- AH11320 - Pleasure, Power, and Profit: Art in the Long Eighteenth Century
- AH11420 - Revolutions & Modernities: Art in the Nineteenth Century
- AH11520 - Looking into Landscape: Reading, Researching, Responding
- AH20520 - Modernisms: Art in the Early Twentieth Century
- AH11720 - Representing the Body
- AHM0460 - Dissertation
- AH30020 - The Pre-Raphaelites
- AH20020 - The Pre-Raphaelites
Attendance Dept Admin
- PGM0410 - Ways of Reading
- AR25420 - Interdisciplinary Practice 4
- AR30130 - Exhibition 1: Graduation Show
- AR31730 - Painting 5 - Paint Directed Practice
- AR32440 - Book Illustration 4
- AR21620 - Photography 3
- AR22210 - Life Studies 2
- AR15420 - Interdisciplinary Practice 2
- AHM0460 - Dissertation
- AH11420 - Revolutions & Modernities: Art in the Nineteenth Century
- AR35320 - Interdisciplinary Practice 5
- AR32040 - Printmaking 6 - Print Directed Practice
- AR21030 - Painting 4
- AR21820 - Book Illustration 1
- AR22320 - Printmaking 1: Etching and Relief Printing
- AR11320 - Drawing: Extended Practice
- AH11720 - Representing the Body
- AR35420 - Interdisciplinary Practice 6
- ARM0460 - Exhibition 1: Consolidation
- AR22630 - Printmaking 4: Screenprinting, lithography & hybrid printing
- AR22520 - Printmaking 3: Screenprinting, lithography & hybrid printing
- AH20520 - Modernisms: Art in the Early Twentieth Century
- PGM2910 - Research Writing Programme
- ARM0520 - Portfolio: Development
- AR24420 - Photographic Practice IV: Documentary Storytelling
- AR31610 - Life Studies 3
- AR21730 - Photography 4
- AHM1020 - Artworld: Contemporary Practice in Context (for Students of Fine Art)
- AR11520 - Photographic Practice I: Presence/Place
- AR11620 - Photographic Practice II: Identity/Face
- AH11820 - Photography Begins
- AR32240 - Photography 6 - Photo Directed Practice
- AR21930 - Book Illustration 2
- AR22110 - Life Studies 1
- AR23210 - Professional Practice for Students of Art
- AR24320 - Photographic Practice III: Constructed Images
- AR20830 - Photography 2
- AH32720 - Curating an Exhibition: Researching, Interpreting and Displaying
- AR11120 - Drawing: Looking, Seeing, Thinking
- AR11220 - Painting: Looking, Seeing, Thinking
- AH11220 - Exploring the School of Art Collections: Research and Museums
- AH11520 - Looking into Landscape: Reading, Researching, Responding
- AH21020 - Dissertation Preparation and Professional Practice for Students of Art History
- ARM0120 - Vocational Practice
- AR25320 - Interdisciplinary Practice 3
- AR20120 - Painting 1
- AR22430 - Printmaking 2: Etching and Relief Printing
- AR31840 - Painting 6 Paint Directed Practice
- AR31930 - Printmaking 5 - Print Directed Practice
- AR32130 - Photography 5 - Photo Directed Practice
- AR32540 - Exhibition 2: Graduation Show
- ARM0260 - Exhibition 2: Resolution
- AR30620 - Research and Process in Practice
- AR11420 - Painting: Extended Practice
- AR20720 - Photography 1
- AH32020 - Dissertation
- AHM0940 - Artworld: Contemporary Practice in Context (for Students of Art History)
- AH11320 - Pleasure, Power, and Profit: Art in the Long Eighteenth Century
- AH20620 - Postmodernism and Contemporary Art
- AR32330 - Book Illustration 3
- AR15320 - Interdisciplinary Practice 1
- AR20230 - Painting 2
- AR20920 - Painting 3
- AHM0260 - Research Project
- AH30020 - The Pre-Raphaelites
- AH20320 - Methods and Materials for Art Historians
- AH20020 - The Pre-Raphaelites
- AR29930 - Introduction to Design and Illustration 2
- AR29820 - Introduction to Design and Illustration 1
- AH30120 - Enlightenment and Empire: Museums, Knowledge, and Meaning
- AH20120 - Enlightenment and Empire: Museums, Knowledge, and Meaning
- AH30620 - The Image Multiplied: European Printmaking since 1400
- AH21620 - The Image Multiplied: European Printmaking since 1400
- AH30320 - Methods and Materials for Art Historians
- AH34020 - Documentary Photography
- AH24020 - Documentary Photography
- AH23120 - Adaptation: Versions, Revisions and Cultural Renewal
- AH33120 - Adaptation: Versions, Revisions and Cultural Renewal
Blackboard Dept Admin
- AR25420 - Interdisciplinary Practice 4
- AR30620 - Research and Process in Practice
- AR22320 - Printmaking 1: Etching and Relief Printing
- AHM0460 - Dissertation
- AH20520 - Modernisms: Art in the Early Twentieth Century
- AR22520 - Printmaking 3: Screenprinting, lithography & hybrid printing
- AR11320 - Drawing: Extended Practice
- AR11420 - Painting: Extended Practice
- AR11620 - Photographic Practice II: Identity/Face
- AH21020 - Dissertation Preparation and Professional Practice for Students of Art History
- PGM0410 - Ways of Reading
- AR32240 - Photography 6 - Photo Directed Practice
- AR24320 - Photographic Practice III: Constructed Images
- AR20720 - Photography 1
- AR21620 - Photography 3
- AR11120 - Drawing: Looking, Seeing, Thinking
- AR15420 - Interdisciplinary Practice 2
- AH32020 - Dissertation
- AH20620 - Postmodernism and Contemporary Art
- AR32330 - Book Illustration 3
- ARM0260 - Exhibition 2: Resolution
- ARM0520 - Portfolio: Development
- AR22630 - Printmaking 4: Screenprinting, lithography & hybrid printing
- AR24420 - Photographic Practice IV: Documentary Storytelling
- AR25320 - Interdisciplinary Practice 3
- AR30130 - Exhibition 1: Graduation Show
- AR20120 - Painting 1
- AR22110 - Life Studies 1
- AR22210 - Life Studies 2
- AHM1020 - Artworld: Contemporary Practice in Context (for Students of Fine Art)
- AH11520 - Looking into Landscape: Reading, Researching, Responding
- AR31930 - Printmaking 5 - Print Directed Practice
- AR35320 - Interdisciplinary Practice 5
- AR21820 - Book Illustration 1
- AR20830 - Photography 2
- AR20920 - Painting 3
- AR21030 - Painting 4
- AH32720 - Curating an Exhibition: Researching, Interpreting and Displaying
- AHM0260 - Research Project
- AHM0940 - Artworld: Contemporary Practice in Context (for Students of Art History)
- AH11420 - Revolutions & Modernities: Art in the Nineteenth Century
- AR32440 - Book Illustration 4
- ARM0460 - Exhibition 1: Consolidation
- AR32040 - Printmaking 6 - Print Directed Practice
- AR21730 - Photography 4
- AR21930 - Book Illustration 2
- AR11520 - Photographic Practice I: Presence/Place
- AR15320 - Interdisciplinary Practice 1
- AH11220 - Exploring the School of Art Collections: Research and Museums
- PGM2910 - Research Writing Programme
- AR31840 - Painting 6 Paint Directed Practice
- AR32130 - Photography 5 - Photo Directed Practice
- AR32540 - Exhibition 2: Graduation Show
- AR35420 - Interdisciplinary Practice 6
- ARM0120 - Vocational Practice
- AR22430 - Printmaking 2: Etching and Relief Printing
- AR23210 - Professional Practice for Students of Art
- AR31610 - Life Studies 3
- AR31730 - Painting 5 - Paint Directed Practice
- AR11220 - Painting: Looking, Seeing, Thinking
- AR20230 - Painting 2
- AH11320 - Pleasure, Power, and Profit: Art in the Long Eighteenth Century
- AH11720 - Representing the Body
- AH11820 - Photography Begins
- AH20320 - Methods and Materials for Art Historians
- AH30020 - The Pre-Raphaelites
- AH20020 - The Pre-Raphaelites
- AR29820 - Introduction to Design and Illustration 1
- AR29930 - Introduction to Design and Illustration 2
- AH30120 - Enlightenment and Empire: Museums, Knowledge, and Meaning
- AH20120 - Enlightenment and Empire: Museums, Knowledge, and Meaning
- AH21620 - The Image Multiplied: European Printmaking since 1400
- AH24020 - Documentary Photography
- AH30320 - Methods and Materials for Art Historians
- AH34020 - Documentary Photography
- AH30620 - The Image Multiplied: European Printmaking since 1400
- AH33120 - Adaptation: Versions, Revisions and Cultural Renewal
- AH23120 - Adaptation: Versions, Revisions and Cultural Renewal
Tutor
Coordinator
- AH30020 - The Pre-Raphaelites
- AH20020 - The Pre-Raphaelites
- AH11520 - Looking into Landscape: Reading, Researching, Responding
- AH11320 - Pleasure, Power, and Profit: Art in the Long Eighteenth Century
- AH32020 - Dissertation
- AH11720 - Representing the Body
- AH11420 - Revolutions & Modernities: Art in the Nineteenth Century
- AH20520 - Modernisms: Art in the Early Twentieth Century
- AHM0460 - Dissertation