Programme Specifications

Creative Writing and Fine Art


1 : Awarding Institution / Body
Aberystwyth University

2a : Teaching Institution / University
Aberystwyth University

2b : Work-based learning (where appropriate)


Information provided by Department of English and Creative Writing:


Information provided by School of Art:

n/a



3a : Programme accredited by
Aberystwyth University

3b : Programme approved by
Aberystwyth University

4 : Final Award
Bachelor of Arts

5 : Programme title
Creative Writing and Fine Art

6 : UCAS code
WW18

7 : QAA Subject Benchmark


Information provided by Department of English and Creative Writing:

NAWE Creative Writing Subject Benchmark statement (2008) and underging review against QAA Creative Writing (2016)


Information provided by School of Art:

Art and Design

8 : Date of publication


Information provided by Department of English and Creative Writing:

September 2023


Information provided by School of Art:

September 2023

9 : Educational aims of the programme


Information provided by Department of English and Creative Writing:

gain a knowledge of the history, culture and theories of literature by studying a range of primary texts of different genres from different historical periods.

develop a systematic understanding of knowledge, and a critical awareness of current literary problems and/or new insights, which are at the forefront of critical and theoretical debates.

explore the relationships between texts, and between texts and their contexts

develop the ability to write an originally conceived and sustained piece of research

become self-reflective readers of literary and theoretical texts

develop their own critical voice

become independent learners who can use a broad range of reference tools, assimilate and appraise substantial amounts of information, and address, define, and solve problems

develop an ability to arrive at independent conclusions and make judgements

develop an ability to express themselves clearly in speech and in writing

develop their own interests and manage their own learning through their choice of options

develop a broad repertoire of writing techniques

develop a responsiveness to the writerly demands made by subject matter, audience, genre, and style

develop the ability to work in a sustained and cumulative way on a writing project over an extended period of time

develop the ability to compose, revise, edit, sub-edit and finalise a piece of writing as part of a regular work routine

develop good habits of sustained, self-critical, and active engagement with chosen subject matter, including creative, imaginative, and transactional writing tasks

develop the ability to produce originally conceived and effective written work

gain a knowledge of the history, culture and theories of writing by studying a range of primary texts of different genres from different historical periods

develop a systematic understanding of knowledge, and a critical awareness of current problems and/or new insights, which are at the forefront of critical and theoretical debates about writing

explore the relationships between texts, and between texts and their contexts

investigate how different theories contribute to the practices of writing

become reflective readers of literary and theoretical texts

become independent practitioners and learners able to address, define and solve problems

develop an ability to arrive at independent conclusions and make judgements

develop an ability to express themselves clearly in speech and in writing

develop their own critical and creative voices

develop their own interests and manage their own learning


Information provided by School of Art:

The programme aims to:

  • Offer sound training in the subject of Fine Art.

  • Provide opportunities for students to develop knowledge, understanding, and proficiency in a broad range of media and processes, starting with drawing as a prerequisite skill, and the fundamental concepts and key skills of artistic practice.

  • Provide opportunities for students to develop specialised proficiency in the offered discipline(s) of their choice.

  • Offer a flexible curriculum with a variety of pathways.

  • Encourage students to develop their aesthetic sensibility, creativity, curiosity, and artistic identity.

  • Provide opportunities for students to develop a broad range of subject-specific and transferrable skills that will equip them for further study and/or their future career (in particular as fine artists, art educators, professionals in the heritage sector, and cultural industries



10 : Intended learning outcomes


Information provided by Department of English and Creative Writing:

The programme provides opportunities for students to develop and demonstrate knowledge and understanding, skills, qualities and other attributes in the following areas:

Information provided by School of Art:

The programme provides opportunities for students to develop and demonstrate knowledge and understanding, skills, qualities and other attributes in the following areas:



10.1 : Knowledge and understanding


Information provided by Department of English and Creative Writing:

The successful student will have gained a knowledge and understanding of:

A1 their own writing practice, in terms of a reflective self-awareness of some of their own strengths and characteristics as a writer.

A2 the variety of options available to writers in presenting subject matter, and some of the effects of choosing one option rather than another

A3 some of the theories (for instance, of genre, register, rhetoric, and audience) which influence writing practice.

A4 key relevant aspects of the relations between texts, and between texts and their contexts

A5 a range of different literary genres from different historical periods

A6 a range of theories and debates about literature across different historical period

A7 the relations between texts, and between texts and their contexts

A8 the major theoretical issues associated with literature from different period.


Information provided by School of Art:

Knowledge and understanding of:

  • A1 A broad range of traditional and contemporary media and processes: their nature and techniques, history and development, and the relationship between materials, media and process, and ideas and contexts.

  • A2 One or more disciplines in depth, informed by staff practice and research, and/or study of the School of Art’s museum collection.

  • A3 The ​fundamental issues, contexts, concepts, theories, and debates (historical, contemporary, cultural settings) in art and visual culture.

  • A4 The foundations of art history as a critical and historical way of interpreting works of art and visual culture, and knowledge of the art and visual culture of specific periods, movements, mediums, genres, and places from the medieval to the present day​.

  • A5 The contemporary art world and cultural industries, including the variety of opportunities for graduate employment; the significance of the work of other practitioners; major developments in current and emerging media and technologies; the role and impact of intellectual property; and the issues which arise from the creative practitioner’s relationships with audiences, clients, markets, environments, users, consumers, and/or participants.

    Learning and teaching methods used to enable outcomes to be achieved:

  • 1:1 tutorials

  • Small group tutorials and crits

  • Group studio sessions

  • Seminars

  • Lectures (synchronous and asynchronous)

  • Workshops

  • Guided independent practice

  • Guided independent research

    Assessment methods used to enable outcomes to be demonstrated:

  • Portfolio

  • Exhibition

  • Professional projects

  • Essays

  • Dissertation

  • Seen and unseen examinations

  • Visual analysis

  • Object study

  • Reflective writing

  • Slide test

  • Presentation (live and recorded)

  • Exhibition project

  • Critical journal

  • Book review

  • Literature review

  • Annotated bibliography

  • Essay plan



10.2 : Skills and other attributes


Information provided by Department of English and Creative Writing:

Intellectual Skills:

The successful student will develop an ability to:

B1 Analyse and interpret a variety of texts

B2 exercise independent thought and judgement, and demonstrate self-direction in tackling and solving problems

B3 engage critically and self-reflectively with complex material, major concepts, and assess the significance of key literary thinkers

B4 interrogate and apply a variety of theoretical perspectives

B5 present sustained persuasive and coherent arguments

B6 communicate the results of their studies clearly and articulately

B7 plan and organise work and present work to deadlines

Teaching, learning and assessment methods used to enable outcomes to be achieved and demonstrated:

Seminars and workshops are used to develop these skills, which are assessed by independently devised and researched coursework assignments and a dissertation.

Practical skills

The successful student will develop:

C1 research skills, including the ability to analyse issues and theories, to assimilate, select and organise relevant material, and to use a variety of research tools in paper and on-line formats

C2 writing skills, including competence in structuring and presenting arguments, word-processing skills, and the ability to used recognised presentational skills, including bibliographical and notational conventions

C3 an ability to work in groups

C4 time and task management, initiative, and personal responsibility

C5 independent learning ability required for continuing professional development

Teaching, learning and assessment methods used to enable outcomes to be achieved and demonstrated:

core skills-based modules

student presentations

preparation for written assignments

essay writing

seminars with small-group components

independent study

extended research skill

Assessment

coursework assignments

essays on topics to be devised by the student

orally presented research papers

dissertation of writing project


Information provided by School of Art:

10.2.1 Intellectual skills

  • B1 Creative skills: creatively and imaginatively conceive, produce, promote, and disseminate artefacts​.

  • B2 ​Visual skills: close and systematic visual examination, informed by appropriate knowledge of materials, techniques, and cultural contexts; clear and precise description, using ordinary and specialist terminology as appropriate and demonstrating awareness of the inherently translative relationship between the visual and the verbal; technical evaluation of artefacts considering materiality, production, methodology, and cultural context.

  • B3 Interpretive skills : discern and explain the meaning and significance of works of art created by oneself and others, drawing on close observation, personal response, knowledge of techniques, relevant theoretical and methodological debates, historical context, and contemporary relevance; produce logical and structured narratives and arguments, supported by relevant evidence.

  • B4 Cognitive skills: find creative solutions to aesthetic, practical, and theoretical and problems; generate ideas independently and in response to set briefs; make connections between intention, process, outcome, context, and methods of dissemination; evaluate and apply a variety of theoretical perspectives; analyse arguments, tasks, and bodies of evidence, breaking them down into, and effectively dealing with, their component parts.

  • B5 Open-mindedness: be open and receptive to new things and ideas; identify the merits of unfamiliar arguments or cultural artefacts and the merits or shortcomings of familiar ones; appreciate and evaluate divergent points of view and to communicate their qualities.

10.2.2 Practical skills

  • C1 Making skills: develop a body of ambitious studio work through experimentation, technical innovation, and independent reflection on making in the creative translation of ideas into practice, drawing on research on historical and contemporary contexts, technical skill and knowledge in traditional and contemporary processes, and selecting and using materials, processes, and environments.

  • C2 Presentation skills: present bodies of work professionally and effectively, demonstrating awareness of audience and contexts; present and promote oneself as a creative professional; write text for a variety of purposes to support one’s artistic practice.

  • C3 Communication skills: communicate information, arguments, and ideas cogently and effectively within a range of discourses as appropriate to particular audiences, and in written, spoken, or other form using appropriate visual aids and information technology resources; particular abilities in the deployment of visual material in conjunction with written, oral, and other forms of communication; the ability to listen effectively, and to participate constructively in discussion and debate.

  • C4 Research skills: capacity for critical, effective, and testable information retrieval and organisation; ability to design and carry out a research project with limited tutorial guidanc



10.3 : Transferable/Key skills


Information provided by Department of English and Creative Writing:

The successful student will develop an ability to:

D1 analyse issues and theories

D2 research, assimilate, select and organise relevant material using a variety of research tools in paper an on-line formats

D3 sustain academic writing across an extended assignment

D4 structure and present cogent and substantiated arguments that are complex and nuanced

D5 work as part of a group or team

D6 manage their time effectively

D7 produce word-processed documents to a high standard

Teaching, learning and assessment methods used to enable outcomes to be achieved and demonstrated:

student presentations

group work

seminars in 'workshop' format

independent study

essay writing

extended research

Assessment:

coursework assignment

essays on topics to be devised by the student

orally presented research paper

dissertation/writing project

Teaching, learning and assessment methods used to enable outcomes to be achieved and demonstrated:

tutor-and-student-led workshops and seminars

encouragement of methods of working on longer pieces which incorporate on-going processes of composition, reflection, revision, and feedback

encouragement of habits of 'articulated practice', for instance, in the form of reflective working diaries and the acquisition of relevant theoretical ideas and terms

Assessment:

module assignments

writing portfolio

oral presentations


Information provided by School of Art:

  • D1 Autonomy: generate ideas, concepts, proposals, solutions, or arguments independently; develop an independent practice that is informed by, but not dependent on, the work of others.

  • D2 Diligence: undertake and complete set tasks, whether routine and familiar or requiring the acquisition and application of new skills.

  • D3 Time management and personal initiative: work to briefs and deadlines, including managing concurrent projects; take responsibility for one’s own work; reflect on one’s own learning and make constructive use of feedback; take shared responsibility for one’s own course of studies.

  • D4 Teamwork: the ability to work constructively and productively in teams.

  • D5 Critical engagement: formulate and articulate reasoned, independent judgements and arguments, supported by analysis of evidence and experiences, and informed by, but not dependent on, the ideas and arguments of others.

  • D6 Problem solving: identify, analyse, and creatively solve problems individually or as part of a team.



11 : Program Structures and requirements, levels, modules, credits and awards



BA Creative Writing and Fine Art [WW18]

Academic Year: 2024/2025Joint Honours scheme - available from 2014/2015

Duration (studying Full-Time): 3 years

Part 1 Rules

Year 1 Core (40 Credits)

Compulsory module(s).

Semester 1
WR11020

Beginning Creative Writing Part 1

Semester 2
WR11120

Beginning Creative Writing Part 2

Year 1 Core (40 Credits)

Compulsory module(s).

Semester 1
AR11120

Drawing: Looking, Seeing, Thinking

Semester 2
AR11220

Painting: Looking, Seeing, Thinking

Year 1 Options

Choose one of the following

Semester 1
EN11220

American Literature 1819-1925

EN11300

Critical Practice

IC17700

Academic Writing: Planning, Process and Product

WL10120

Re-imagining Nineteenth-Century Literature

WL11420

Literature And The Sea

Semester 2
CL10120

Greek and Roman Epic and Drama

EN10220

Ancestral Voices

EN10520

Contemporary Writing

EN11320

Critical Practice

IC13420

Language Awareness for TESOL

IC17720

Academic Writing: Planning, Process and Product

WL10420

Introduction to Poetry

WL11920

Peering into Possibility: Speculative Fiction and the Now

Year 1 Options

Choose 20 credits

Semester 1
AH11320

Pleasure, Power, and Profit: Art in the Long Eighteenth Century

AH11520

Looking into Landscape: Reading, Researching, Responding

AH11820

Photography Begins

AR11320

Drawing: Extended Practice

Semester 2
AH11220

Exploring the School of Art Collections: Research and Museums

AH11420

Revolutions & Modernities: Art in the Nineteenth Century

AH11720

Representing the Body

AR11420

Painting: Extended Practice

Part 2 Rules

Year 2 Core (20 Credits)

Compulsory module(s).

Semester 1
WR20220

Beginning the Novel

Semester 2

Year 2 Options

Joint honours Fine Art students should select a minimum of 40 credits of art practice from the following:

Semester 1
AR20120

Painting 1

AR20230

Painting 2

AR20720

Photography 1

AR20830

Photography 2

AR22110

Life Studies 1

AR22320

Printmaking 1: Etching and Relief Printing

AR22430

Printmaking 2: Etching and Relief Printing

AR25320

Interdisciplinary Practice 3

AR29820

Introduction to Design and Illustration 1

AR29930

Introduction to Design and Illustration 2

Semester 2
AR20920

Painting 3

AR21030

Painting 4

AR21620

Photography 3

AR21730

Photography 4

AR21820

Book Illustration 1

AR21930

Book Illustration 2

AR22210

Life Studies 2

AR22520

Printmaking 3: Screenprinting, lithography & hybrid printing

AR22630

Printmaking 4: Screenprinting, lithography & hybrid printing

AR23210

Professional Practice for Students of Art

AR25420

Interdisciplinary Practice 4

Year 2 Options

Choose at least 20 credits and a maximum of 40 credits from the following:

Semester 1
IC27720

Effective Academic and Professional Communication 1

WL20720

A Century in Crisis: 1790s to 1890s

WR21120

Telling True Stories: ways of Writing Creative Non-Fiction

WR22120

Adventures with Poetry

Semester 2
IC27720

Effective Academic and Professional Communication 1

WL20320

Short stories: Grit and Candour

WR20620

Writing Selves

WR21720

Shaping Plots

Year 2 Options

You may choose up to 20 credits from the following:

Semester 1
CL20320

Classical Drama and Myth

EN20120

Literary Theory: Debates and Dialogues

EN20920

Literary Modernisms

EN23120

In the Olde Dayes: Medieval Texts and Their World

EN28720

Writing Women for the Public Stage, 1670-1780

IC23420

TESOL Approaches, Methods and Teaching Techniques

Semester 2
EN21020

Literary Geographies

EN21120

Contemporary Writing and Climate Crisis

EN21220

Literature and Climate in the Nineteenth Century

EN22120

Place and Self

EN22920

Literature since the '60s

Final Year Options

Joint Honours Fine Art students must take AR30130 in Semester 2 of the final year

Semester 2
AR30130

Exhibition 1: Graduation Show

Final Year Options

You may choose up to 20 credits from the following:

Semester 1
EN30120

Reading Theory / Reading Text

EN30520

Romantic Eroticism

EN31320

The Mark of the Beast: Animals in Literature from the 1780s to the 1920s

Semester 2
EN30320

Victorian Childhoods

EN30420

Writing in the Margins: Twentieth-Century Welsh Poetry in English

EN30820

Haunting Texts

Final Year Options

Joint Honours Fine Art students should select from the following modules for their remaining final year credits:

Semester 1
AR31610

Life Studies 3

AR31730

Painting 5 - Paint Directed Practice

AR31930

Printmaking 5 - Print Directed Practice

AR32130

Photography 5 - Photo Directed Practice

AR32330

Book Illustration 3

AR35320

Interdisciplinary Practice 5

Semester 2
AR35420

Interdisciplinary Practice 6

Final Year Options

You must choose at least 40 credits and a maximum of 60 credits from the following:

Semester 1
IC37820

Effective Academic and Professional Communication 2

WL30620

Remix: Chaucer In The Then and Now

WR30000

The Writing Project

WR31920

Writing Horror

WR32120

Writing and Place

WR32620

Writing Music

WR32720

Big Ideas: Writing Popular Science

WR32820

Humour and Conflict in Contemporary Writing

Semester 2
EN33620

Ali Smith and 21st Century fiction(s)

IC33420

TESOL Materials Development and Application of Technologies

IC37820

Effective Academic and Professional Communication 2

WL35320

Literatures of Surveillance

WR30040

The Writing Project

WR31220

Poetry for today

WR31820

Crisis Writing

WR32420

Writing Crime Fiction


12 : Support for students and their learning
Every student is allocated a Personal Tutor. Personal Tutors have an important role within the overall framework for supporting students and their personal development at the University. The role is crucial in helping students to identify where they might find support, how and where to seek advice and how to approach support to maximise their student experience. Further support for students and their learning is provided by Information Services and Student Support and Careers Services.

13 : Entry Requirements
Details of entry requirements for the scheme can be found at http://courses.aber.ac.uk

14 : Methods for evaluating and improving the quality and standards of teaching and learning
All taught study schemes are subject to annual monitoring and periodic review, which provide the University with assurance that schemes are meeting their aims, and also identify areas of good practice and disseminate this information in order to enhance the provision.

15 : Regulation of Assessment
Academic Regulations are published as Appendix 2 of the Academic Quality Handbook: https://www.aber.ac.uk/en/aqro/handbook/app-2/.

15.1 : External Examiners
External Examiners fulfill an essential part of the University’s Quality Assurance. Annual reports by External Examiners are considered by Faculties and Academic Board at university level.

16 : Indicators of quality and standards
The Department Quality Audit questionnaire serves as a checklist about the current requirements of the University’s Academic Quality Handbook. The periodic Department Reviews provide an opportunity to evaluate the effectiveness of quality assurance processes and for the University to assure itself that management of quality and standards which are the responsibility of the University as a whole are being delivered successfully.