Engaging with Welsh Language and Culture
As the only institution in Wales offering degrees in Art History, we are also mindful of our special commitment to the visual culture of Wales.
Art in Wales since 1945 and Welsh photography are amongst the significant areas of interest in our Museum collections. As well as exhibitions and monographs devoted to twentieth-century Welsh artists George Chapman, John Elwyn, Nicholas Evans, Gwilym Prichard, Christopher Williams and Claudia Williams, our research in this field includes the collecting habits of queer Welsh Victorian dilettante George Powell of Nant-Eos, near Aberystwyth, and the wildlife art and forensic animal studies of renowned Anglesey-based artist and Royal Academician Charles Tunnicliffe.
Mindful of our collections' research potential for future generations of students and scholars, the School of Art Museum acquires significant bodies of work representative of individual artists' careers. Archive material, press reviews, diaries and a photographic record of works have also been made available.
In recent years the Collection has significantly benefited from the formation of archives of work and related materials by such Welsh artists as Handel Evans and John Elwyn.
Handel Evans was born in Pontypridd in 1932, and trained at Cardiff College of Art 1949–54. He subsequently made a living as a painter, draughtsman and printmaker over four decades in the Caribbean, America and Germany, where his reputation is greatest. He spent time at the British School at Rome and also studied etching at Atelier 17 in Paris. Evans was a truly International artist; his work is represented in collections across Europe and the Americas and in major institutions from the National Gallery of Jamaica to the Ashmolean Museum, Oxford.
John Elwyn was born in Newcastle Emlyn, Cardiganshire, in 1916 and he trained at Carmarthen School of Art, and later the Art School of the Royal West of England Academy, Bristol from which he won a Royal Exhibition Scholarship in painting to the Royal College of Art, London, which he attended in 1938 and 1939 and then again in 1946 and 1947. His Royal College of Art course was interrupted by the war when he was a Conscientious Objector; John Elwyn was a man of peace, and one can see peace and tranquillity as an important element in his work.